• Planet Femme LIVE
  • HALO ROSSETTI
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • ABOUT
  • Artist Statement
  • Bio
  • CV
  • Community
  • Links & Contact
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • FILM
  • PONY
  • SUNRIDER
  • Valentine's Day After
  • Hold
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • VIDEO
  • aph·ro·dis·i·ac
  • Fruitr
  • YLIGML
  • Julia Child
  • POLLINATION
  • VARIETY SHOW
  • Yellow Mountain Blue
  • Wait
  • 8 1/2 INCH DICK
  • Eco Vignettes
  • Vagina Dentata
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • PERFORMANCE
  • GRIEF IN PUBLIC
  • QUEER in PUBLIC
  • SENSE
  • Karan Devine
  • Home Depot
  • TORMENTRA
  • Crystal Mermaid
  • Black-Eyed Susan
  • Evangeline Dupree
  • Cleo the Past Teller
  • Cynthia Reid
  • Polyperformance
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • WORLDBUILDING
  • Planet Femme
  • The Sagewell Archives
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • CURATION
  • Positive Futures
  • ASYLUM
  • UNDER THE SEAMS
  • This Literally Happened
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • FEATURED
  • PGN - Film
  • PGN - Portraits
  • Business Courier
  • GO Magazine
  • Adult Mag
HALO ROSSETTI
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
FILM
PONY
SUNRIDER
Valentine's Day After
Hold
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
aph·ro·dis·i·ac
Fruitr
YLIGML
Julia Child
POLLINATION
VARIETY SHOW
Yellow Mountain Blue
Wait
8 1/2 INCH DICK
Eco Vignettes
Vagina Dentata
∙ ∙ ∙ ∙ ∙ ∙ ∙
PERFORMANCE
Planet Femme LIVE
GRIEF IN PUBLIC
QUEER in PUBLIC
SENSE
Karan Devine
Home Depot
TORMENTRA
Crystal Mermaid
Black-Eyed Susan
Evangeline Dupree
Cleo the Past Teller
Cynthia Reid
Polyperformance
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
Planet Femme
The Sagewell Archives
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
Positive Futures
ASYLUM
UNDER THE SEAMS
This Literally Happened
∙ ∙ ∙ ∙ ∙ ∙ ∙
FEATURED
PGN - Film
PGN - Portraits
Business Courier
GO Magazine
Adult Mag









I am a writer, director, performer, and artist, worldbuilding positive futures in the husk of the capitalist experiment. In my work, through the production of film scripts, play texts, films, videos, and performances, I practice worldbuilding—constructing a fictional world or universe, a key task of many science fiction and fantasy writers—as a means to convey my belief that decolonizing, queering, and regenerating are linked processes.


I want to imagine a future in which I, and my comrades, could thrive while being neurodivergent, queer, dis/abled, people of color, historically under-resourced, and so on. I also want to imagine a future in which the overculture’s relationship to our planet is no longer one of resource domination and extraction, but rather one of interconnection and ecological regeneration. To me, these two concepts—to exist in our fullness, and to approach nature and future with a giving hand—are inseparable. I am also interested in the decolonization and liberation of modern technology, which so often is created to serve the capitalist machine that will be our undoing. In my future, nature and technology fuse, and humans are able to enter into an empathetic, symbiotic relationship with the machines and AIs that we have borne.













To that end, my recent short film SUNRIDER, which premiered at Les Femmes Underground International Film Festival in Phoenix, AZ in 2018, offers a window into “Planet Femme,” my multi-modal speculative fiction world, which currently spans performance, film, video, prose, photography, cartography, and a roleplaying game in development. In Planet Femme, liberated AIs run a system of terraformed asteroid earthships (asteroids that have been transformed to support human and earth life), where humanity’s survivors live in a world of femme futurity and empathetic technology. With the earthship Aurora as its center, I imagine a world in which humans live a regenerative lifeway atop a series of asteroids in deep space, reclaiming many historical practices of food and material cultivation and distribution. It is my hope that Planet Femme can serve as a vehicle for us to reimagine our path to a life-connected future here on earth.









I am a writer, director, performer, and artist, worldbuilding positive futures in the husk of the capitalist experiment. In my work, through the production of film scripts, play texts, films, videos, and performances, I practice worldbuilding—constructing a fictional world or universe, a key task of many science fiction and fantasy writers—as a means to convey my belief that decolonizing, queering, and regenerating are linked processes.


I want to imagine a future in which I, and my comrades, could thrive while being neurodivergent, queer, dis/abled, people of color, historically under-resourced, and so on. I also want to imagine a future in which the overculture’s relationship to our planet is no longer one of resource domination and extraction, but rather one of interconnection and ecological regeneration. To me, these two concepts—to exist in our fullness, and to approach nature and future with a giving hand—are inseparable. I am also interested in the decolonization and liberation of modern technology, which so often is created to serve the capitalist machine that will be our undoing. In my future, nature and technology fuse, and humans are able to enter into an empathetic, symbiotic relationship with the machines and AIs that we have borne.













To that end, my recent short film SUNRIDER, which premiered at Les Femmes Underground International Film Festival in Phoenix, AZ in 2018, offers a window into “Planet Femme,” my multi-modal speculative fiction world, which currently spans performance, film, video, prose, photography, cartography, and a roleplaying game in development. In Planet Femme, liberated AIs run a system of terraformed asteroid earthships (asteroids that have been transformed to support human and earth life), where humanity’s survivors live in a world of femme futurity and empathetic technology. With the earthship Aurora as its center, I imagine a world in which humans live a regenerative lifeway atop a series of asteroids in deep space, reclaiming many historical practices of food and material cultivation and distribution. It is my hope that Planet Femme can serve as a vehicle for us to reimagine our path to a life-connected future here on earth.