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HALO ROSSETTI
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Director's Portfolio
Directing Reel
Acting Reel
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
FILM
PONY
SUNRIDER
PATRICK
Valentine's Day After
Hold
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
Your Love is Giving Me Life
The French Chef with Julia Child: Abortifacient Herbs
BE NOT AFRAID
One Made of Light
Plot Points in Our Sexual Development (Excerpt)
aph·ro·dis·i·ac
POLLINATION
Fruitr
VARIETY SHOW
Yellow Mountain Blue
Wait
8 1/2 INCH DICK
Eco Vignettes
Vagina Dentata
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE ART
Planet Femme LIVE
GRIEF IN PUBLIC
QUEER in PUBLIC
SENSE
Pleasure Scores
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE PERSONAE
Karan Devine
Home Depot
TORMENTRA
Crystal Mermaid
Black-Eyed Susan
Evangeline Dupree
Cleo the Past Teller
Cynthia Reid
Polyperformance
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
Planet Femme
The Sagewell Archives
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
Positive Futures
ASYLUM
UNDER THE SEAMS RUNS THE PAIN
This Literally Happened
∙ ∙ ∙ ∙ ∙ ∙ ∙
FEATURED
Deadline
Final Draft Blog
Women's Screenwriters Workshop
PGN - Film
PGN - Portraits
Women and Hollywood
TFMA News
cinéSPEAK
Global Shorts
Vox Populi
Temple News
Business Courier
Vox Populi
GO Magazine
purple ART
Adult Mag
KCHUNG
The Brooklyn Rail
Labor Day Lectures

Leg Unlocking, 2011 and 2014 


Script:


"Everyone who wants to participate should move to the center of the room and pair off. One person in each pair lies face-down on the ground; the other proceeds to give a therapeutic massage to the back of the prostrate individual’s legs, from the buttocks (or beneath the buttocks if preferred by the recipient) to the ankles. The masseuse should be on the lookout for any points of tension in the legs, and work them all out. This should not be a quick process. The space behind a person’s legs is particularly charged; this is the place in the body where human beings tend to carry a lot of tension, particularly in the buttocks.


Once the leg unlocking is complete, the prostrate individual is encouraged to get up and walk around for a little while, feeling the new-found freedom in her unbound legs. Then this person becomes the masseuse and the former masseuse should lie down, face down, to have his legs unlocked.

 

This Happening is about strictly platonic, therapeutic touch; neither individual should feel particularly threatened or uncomfortable at all during the process. Other platonic or therapeutic touching is encouraged during the process, but particular focus must be paid to the back of the legs. Communication is an important part of any therapeutic exercise, and as such, talking is permitted and, if beneficial to the leg unlocking process, encouraged."

Tuning Sculpture, 2014

Script:

"Everybody in the room place one hand on another person's shoulder, and have a different person place their hand on their own shoulder, until the circuit is closed. Then, every person in unison sings any note that comes to mind, as loudly as possible, continually. Simultaneously, each person listens to the person in front of them, and tunes them: squeezing the shoulder upward with the hand means 'sharper!' and pushing down on the shoulder means 'flatter!' Each person also receives feedback from the person tuning them, and adjusts their pitch accordingly. The piece ends when everybody is singing the same note."
Pleasure Scores for Sex-Ed: RESPONSE & RESPONSIBILITY : Spectrums of Consent : On Power & Play, fall 2014, and Sex-Ed: De-Realization, fall 2015.

First session involved activating the pleasure body, and learning about expressing and responding to consent in the body through movement exercises.

Second session focused on physical dearmoring through movement and awareness of pleasure in the body.

Leg Unlocking, 2011 and 2014 


Script:


"Everyone who wants to participate should move to the center of the room and pair off. One person in each pair lies face-down on the ground; the other proceeds to give a therapeutic massage to the back of the prostrate individual’s legs, from the buttocks (or beneath the buttocks if preferred by the recipient) to the ankles. The masseuse should be on the lookout for any points of tension in the legs, and work them all out. This should not be a quick process. The space behind a person’s legs is particularly charged; this is the place in the body where human beings tend to carry a lot of tension, particularly in the buttocks.


Once the leg unlocking is complete, the prostrate individual is encouraged to get up and walk around for a little while, feeling the new-found freedom in her unbound legs. Then this person becomes the masseuse and the former masseuse should lie down, face down, to have his legs unlocked.

 

This Happening is about strictly platonic, therapeutic touch; neither individual should feel particularly threatened or uncomfortable at all during the process. Other platonic or therapeutic touching is encouraged during the process, but particular focus must be paid to the back of the legs. Communication is an important part of any therapeutic exercise, and as such, talking is permitted and, if beneficial to the leg unlocking process, encouraged."

Tuning Sculpture, 2014

Script:

"Everybody in the room place one hand on another person's shoulder, and have a different person place their hand on their own shoulder, until the circuit is closed. Then, every person in unison sings any note that comes to mind, as loudly as possible, continually. Simultaneously, each person listens to the person in front of them, and tunes them: squeezing the shoulder upward with the hand means 'sharper!' and pushing down on the shoulder means 'flatter!' Each person also receives feedback from the person tuning them, and adjusts their pitch accordingly. The piece ends when everybody is singing the same note."
Pleasure Scores for Sex-Ed: RESPONSE & RESPONSIBILITY : Spectrums of Consent : On Power & Play, fall 2014, and Sex-Ed: De-Realization, fall 2015.

First session involved activating the pleasure body, and learning about expressing and responding to consent in the body through movement exercises.

Second session focused on physical dearmoring through movement and awareness of pleasure in the body.